Roman Doduik’s career embodies the spirit of a performer who defies genre boundaries. He was born in France in 1998 and has combined the marketing acumen of a digital-native influencer with the keen intuition of a stand-up comedian to create a trajectory that feels both incredibly successful and well-timed.

His TikTok following had risen to over 2.8 million by his mid-twenties, demonstrating not only his comedic ability but also his remarkably acute grasp of how to maintain engagement in a rapidly evolving digital landscape. Drawing from the same observational wit he would later bring to film, radio, and television, each brief video evolved into a finely crafted performance.
Roman Doduik – Profile Overview
Attribute | Details |
---|---|
Full Name | Roman Doduik |
Date of Birth | October 2, 1998 |
Age | 26 |
Birthplace | France |
Nationality | French |
Profession | Comedian, Actor, Influencer, Columnist, YouTuber |
Notable Works | Zonz (2025), En terrasse (2023), Ducobu passe au vert! (2024) |
Media Presence | TikTok (2.8M+ followers), YouTube, TV, Radio |
Radio Roles | “Zoom Zoom Zen” (France Inter, 2023), “Les Grosses Têtes” (RTL, 2023–present) |
TV Shows | Fort Boyard, Danse avec les stars (Season 13), The Great Competition, 100% logique |
Film Roles | Débilo (Ducobu passe au vert!, 2024), Gabin (ZONZ, 2025) |
Initiatives | Founder of “Storyz” for young content creators |
Philanthropy | Sponsor of e-Enfance (anti-bullying, 3018 hotline) |
Official Reference |
When he ventured outside of the online realm in 2023, his career took a noticeably better turn. He started a web series called Frérot, which showed off his ability to combine serialized storytelling with narrative comedy. In the same year, he worked with Gucci to create a stylish, cross-generational campaign, teamed up with Lyon’s city hall to organize youth-oriented events, and contributed editorials to Konbini that demonstrated a perceptive and socially conscious voice. These actions demonstrated his extraordinarily adaptable ability to switch between platforms without losing his personal brand.
He quickly gained popularity among television viewers. Fort Boyard demonstrated his vitality and flexibility under duress, while his appearance on Les Douze Coups de midi exposed him to a general audience during the day. He expanded his portfolio by accepting a position as a columnist for Zoom Zoom Zen on France Inter, demonstrating his ability to strike a balance between humor and insightful analysis. He became one of France’s most reputable comedic voices by the end of 2023 after joining Les Grosses Têtes, solidifying his reputation beyond online celebrity.
His participation in Danse avec les stars with professional dancer Ana Riera in 2024 continued the momentum. His performances demonstrated discipline and vulnerability, which made him appealing to audiences who had already enjoyed his sharp, witty humor. This was by no means a novelty appearance. He played on the hazy boundary between his public persona and the satirical exaggeration of influencer culture in his particularly inventive portrayal of Débilo, an influencer in Ducobu passe au vert!, that same year.
His 2025 pieces further broadened his creative horizons. Playing Gabin in ZONZ showed that he could transition into character-driven acting without losing his sense of humor. In order to maintain a strong connection with younger audiences, he continued to host Zero Fault, a web series supported by Lumni and France Télévisions. Building a career that thrives on audience overlap has been made possible by this balancing act—shifting between traditional media and digital platforms.
In addition to providing entertainment, his 2025 decision to sponsor e-Enfance was especially good for his reputation. By running the 3018 hotline and supporting an organization that fights school bullying, he established himself as a socially conscious public figure who is prepared to use his platform to further worthwhile causes. This action had real weight in a field that is frequently criticized for being disconnected from pressing problems.
His listed influences, which include Guillermo Guiz, Louis CK, Pierre Palmade, and Muriel Robin, exhibit a combination of theatricality, astute timing, and unafraid social criticism. His ability to adapt his humor to various formats without losing authenticity can be explained by the presence of such a wide range of inspirations.
Through the use of media appearances and strategic alliances, he has maneuvered through the entertainment industry with an accuracy that is remarkably reminiscent of the strategic maneuvers of international celebrities who use every platform as a springboard. Networks are increasingly valuing personalities who can bridge generational viewing habits, as demonstrated by shows like May the Best Man Win on M6, The Great Competition on TF1, and 100% logique on France 2.
Roman Doduik is a new kind of French celebrity in the context of changing entertainment consumption; he enters traditional media with an existing fan base and changes the way networks approach casting. In addition to providing a new path for other digital creators to follow, his career model drastically lowers the conventional barriers to entry.
Such crossover figures have a big impact on society. Through his appearances, younger audiences—who are used to fast content cycles—are drawn into longer-form programming, while older viewers are given a fresh perspective on digital culture. Television’s appeal to younger audiences has significantly increased as a result of this audience cross-pollination.